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Best Rappers of All Time

Settle it: two at a time →

A ranking of the best rappers of all time, weighing writing ability, technical control of rhythm and rhyme, and how much each artist changed the way everyone after them rapped. Entries qualify on a catalog rather than a single hit, which is why 1980s architects like Rakim and Slick Rick sit next to streaming-era headliners. The names near the top clear the bar twice, with a body of work critics still argue about and a delivery other rappers openly borrowed.

Ranked by 2 people · 19 items

How the opening order was chosen

The opening order is the order I added the items in. Every ballot moves the ranking from there.

A reasonable order comes from two questions: could the artist actually write, and did rap sound different afterward. Rakim and Slick Rick win the second question outright on short catalogs, while Jay-Z, Kendrick Lamar and Eminem stacked decades of both. The top gets contentious over Tupac, whose case rests on conviction rather than technique, and technicians tend to reward technique.

Tupac is first on the 2 ballots cast so far.

Global Ranking

1
Tupac

Me Against the World topped the Billboard 200 in 1995 while he was serving a prison sentence, and in 2017 he became the first solo rap artist inducted into the Rock and Roll Hall of Fame. The appeal was never technical difficulty so much as conviction, the sense that the writing and the life were one document.

2
Eminem

The Marshall Mathers LP sold 1.76 million US copies in its first week in 2000, and "Lose Yourself" made him the first rapper to win the Academy Award for Best Original Song. Rock and Roll Hall of Fame induction followed in 2022. The multisyllabic chains and breath control set a technical bar few here attempt.

3
Notorious B.I.G.

Ready to Die (1994) and Life After Death, issued 16 days after his murder in March 1997, are his only two studio albums, and the second was certified Diamond. His pocket and breath control made dense storytelling sound conversational, which is why rappers still study "Juicy" for pacing rather than punchlines.

4
Nas

Illmatic (1994) runs ten tracks and remains the reference point for what a rap debut can be, built on Q-Tip, Pete Rock, Large Professor and DJ Premier beats. "Ether" answered Jay-Z's "Takeover" in 2001 and set the benchmark for diss records. He did not win a Grammy until King's Disease took Best Rap Album in 2021.

5
André 3000

OutKast's Speakerboxxx/The Love Below won Album of the Year at the 2004 Grammys, with his half producing "Hey Ya!" Output is thin next to everyone around him, but the guest verse on UGK's "Int'l Players Anthem" is the argument in miniature. He dropped rapping entirely for New Blue Sun, an ambient flute record, in 2023.

6
Kanye West

Graduation outsold 50 Cent's Curtis in their shared September 2007 release week, a result widely read as the end of gangsta rap's commercial reign. He trades technical density for phrasing and concept, and 808s & Heartbreak (2008) reshaped the following decade of melodic rap more than any purely lyrical album here.

7
Jay-Z

Fourteen of his albums have topped the Billboard 200, more than any other solo artist, a tally counting team-ups with Linkin Park and Kanye West alongside a solo run beginning in 1998. Reasonable Doubt (1996) stays the connoisseur pick, but the real case is three decades of top-tier rapping while building Roc Nation.

8
Scarface

As the opening voice on the Geto Boys' "Mind Playing Tricks on Me" (1991), he proved rap could carry paranoia and depression without flinching. Solo albums like The Diary (1994) and The Fix (2002) held that register for a decade, and his standing among other rappers runs far ahead of his chart numbers.

9
Ice Cube

He wrote much of Straight Outta Compton before leaving N.W.A in 1989 over royalties, then answered with AmeriKKKa's Most Wanted (1990), cut in New York with the Bomb Squad. Death Certificate (1991) and The Predator (1992) followed, the latter debuting at number one. Four years, four records, no drop in menace.

10
Kendrick Lamar

DAMN. won the 2018 Pulitzer Prize for Music, the first work outside classical or jazz to take the award. "Not Like Us" swept the 2025 Grammys with five wins including Record and Song of the Year, and he headlined the Super Bowl LIX halftime show a week later. Nobody else here has cleared a Pulitzer board and a stadium.

11
J. Cole

2014 Forest Hills Drive went platinum without a single guest feature, a fact that became its own talking point during a peak-collaboration era. He produces much of his own material and built Dreamville into a working label, and The Off-Season (2021) made him the most technically committed streaming-era headliner.

12
LL Cool J

Radio (1985) was Def Jam's first full-length album, recorded when he was seventeen, and it made solo rapping over stripped-down drum machines commercially viable. "I Need Love" opened up the rap ballad two years later, and he reached the Rock and Roll Hall of Fame in 2021.

13
Snoop Dogg

Doggystyle entered the Billboard 200 at number one in November 1993, moving roughly 800,000 copies in a week, and he had already carried much of Dr. Dre's The Chronic the year before. That drawl and the behind-the-beat placement became the default West Coast delivery, copied until it read as a genre setting.

14
MF DOOM

Daniel Dumile rebuilt his career behind a metal mask after KMD collapsed, and Madvillainy (2004) with Madlib became the reference album for internal rhyme and off-kilter phrasing. He rapped in dense hookless blocks that radio had no use for, and underground writers spent the rest of the 2000s borrowing the approach.

15
Lil Wayne

Tha Carter III moved over a million copies in its first week in June 2008, the first album in roughly three years to manage it. The mixtape run that preceded it, Dedication 2 and Da Drought 3, is the stronger case: two years of free music with a punchline density nobody had sustained at that volume.

16
Drake

He has charted more Billboard Hot 100 entries than any artist in the chart's history, and Take Care won Best Rap Album at the 2013 Grammys. The sung-rapped hybrid he standardized became the industry's default setting, which is also why his place in arguments about pure rapping stays the most contested here.

17
Big Daddy Kane

Long Live the Kane (1988) introduced a delivery that could snap from double-time to conversational inside a single verse, and "Ain't No Half Steppin'" is still the template for effortless breath control. He wrote for Biz Markie and Roxanne Shanté in the Juice Crew, and both Jay-Z and Biggie cited him as an influence.

18
Slick Rick

The Great Adventures of Slick Rick (1988) and "Children's Story" made narrative rap a discipline of its own, complete with character voices, dialogue and a closing moral. "La Di Da Di," recorded in 1985 with Doug E. Fresh over nothing but a human beatbox, is among the most sampled records in the genre.

19
Rakim

Paid in Full (1987) with Eric B. pulled rap out of the shouted, end-of-the-bar rhyme scheme that came before it, replacing it with internal rhyme, a calm delivery and phrasing that floated across the beat. Nearly every technical rapper here works inside the vocabulary he set on that record and "Follow the Leader".